The exhibition creates an overview of the most important theatre buildings in Central Europe. It draws attention to the cultural diversity of Central Europe and. In doing so, it will use two terms—theatre design and theatre architecture—largely interchangeably. Both are intended to describe a discipline that creates and. See more than works of architecture related to Theater design.Ghana National Theatre · Vendsyssel Theatre / schmidt · Reception Area of the.
|Published:||21 March 2015|
|PDF File Size:||26.80 Mb|
|ePub File Size:||15.2 Mb|
It can include purpose-built theatre architecture within larger complexes or the modification of buildings originally built for other purposes. Because they are well designed for the gathering of a group of people and generally allow for controlled access, theatres tend to be used as multipurpose buildings that can provide assembly space for lectures, meetings, concerts, films, performance art theatre architecture, circuses, and even certain types of sporting events.
But at its most basic level, a theatre provides a space for the performers to enact their performance and a space for the audience to experience that enactment.
The space used for performance is most often referred to by the word stage in English.
The 10 best theatres
Page 1 of 5. They set up their own theatres, called playhouses, which were similar in shape theatre architecture size. This enabled stock scenery to be theatre architecture erected and reused, which made touring easier.
Hundreds were built, of modest size and exterior.
Their interiors were simple, consisting of a rectangular flat-floored room with a stage that projected into the audience. People sat on theatre architecture seating on the floor in front of the stage, or on balconies against the three remaining walls supported by columns or wooden posts.
Any scenery was placed at the rear of the stage. theatre architecture
The rich could pay a little more in order to sit on the stage, not only for better viewing, but also to be seen by theatre architecture rest of the audience and the cast. These theatres were open for limited periods, and when not needed for performances could be used for other functions, for example as assembly rooms or ballrooms.
Theatre architecture had mainly wooden interiors which were always at risk of fire.
In the Drury Lane Theatre, London introduced the first iron safety curtain, which would eventually become a theatre architecture requirement in all large theatres.
It also had a large water tank on its roof — a feature that was adopted by other theatres — to extinguish fire in the stage area. The theatre also began theatre architecture make its scenery more fire-resistant.
Theatre architecture even had porticoes, similar to those seen on the front of large city homes or country houses. They were added mainly for show, but a few enabled the rich to descend from their theatre architecture and enter the theatre without being exposed to any inclement weather.
How has the design of theatre buildings changed over time?
Nineteenth-century theatres In the early s, theatre attendance lessened, owing partly to economic decline theatre architecture poor standards of acting and production. Consequently many theatres closed or were converted to other uses. The Industrial Revolution saw many people from the country migrate to the theatre architecture industrial towns.
This resulted in the decline of rural theatres, although some touring companies theatre architecture the country continued to operate, but mainly from barn fit-ups. However, in the more populated urban centres there was a significant increase in theatre building.
Inthe Theatres Act removed the patent monopoly and allowed the Lord Chamberlain to grant a theatre license to any suitable person. This encouraged the building of new theatres, invariably by speculators seeking profit.
This led to the closure of many small saloon theatres, which relied upon alcohol sales theatre architecture stay in theatre architecture.
Yet, the same legislation enabled magistrates to grant public theatre architecture licences to offer a variety of entertainment, which led to the creation of a new form of popular theatrical entertainment known as music hall. Very soon, concert or supper rooms were built onto public houses which could sell alcohol and serve meals during their musical productions.
They were usually well-lit rooms with a flat floor and a simple open platform stage with little or no scenery. The audience would sit on benches or at tables in front of the stage, or on balconies against one or more of the walls.
They could come and go freely during the evening and were not restricted to performance times. Eventually a specific type of theatre building was developed to cater for this new form of entertainment, called a music hall.
They had fewer tables in front of the stage, using the space for benched seating to accommodate more people. Hundreds were built in working class areas as money-making concerns.